Oliver Bennett

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The art of weaving for Goodwood Magazine

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A fully rounded trip to Goodwood House should take in its artistic treasures, including masterpieces by Stubbs and Canaletto. But whatever you do, don’t forget the Tapestry Drawing Room. This neoclassical chamber is home to a remarkable set of Gobelins tapestries, commissioned by Louis XV, depicting Don Quixote. “They’re so important,” says James Peill, curator of Goodwood House. “They were part of a series of 30 made for the French king and given to the 3rd Duke when he was French ambassador.”

They're like pixels, with 3000 threads making up the image

These textile treasures are undeniably glorious, but as an art form, hasn’t tapestry had its day? Not a bit of it. The ultimate “slow art”, painstakingly woven and often recounting an epic tale, tapestry has made an enthusiastic return among today’s creative luminaries. “Artists’ and designers’ contemporary rugs have become very collectable in recent years,” confirms Christopher Sharp, CEO and co-founder of The Rug Company, which has made one-off tapestries designed by a number of high-profile names, including Kara Walker, Sir Peter Blake and Sir Paul Smith.

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